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Jean Beraud Representation at the Theatre des Varietes oil painting


Representation at the Theatre des Varietes
Painting ID::  61
Jean Beraud
Representation at the Theatre des Varietes
1888 Musee des Arts Decoratifs, Paris

   
   
     

Jean Beraud The Wait (san11) oil painting


The Wait (san11)
Painting ID::  62
Jean Beraud
The Wait (san11)
Musee d'Orsay, Paris

   
   
     

Jean Beraud Waiting oil painting


Waiting
Painting ID::  11483
Jean Beraud
Waiting
rue de Chateaubriand,Paris 1' 10'' x 1'3 1/2''(56 x 39.5 cm)Anonymous gift,1935

   
   
     

Jean Beraud The Magdalen at the House of the Pharisees oil painting


The Magdalen at the House of the Pharisees
Painting ID::  11507
Jean Beraud
The Magdalen at the House of the Pharisees
1891(Salon of 1891) 3' 5'' x 4' 3 1/2''(104 x 131 cm)Gift of Mr.and Mrs.Robert Walker,1982

   
   
     

Jean Beraud Garden of Paris oil painting


Garden of Paris
Painting ID::  37583
Jean Beraud
Garden of Paris
mk127 23x23

   
   
     

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     Jean Beraud
     1848-1935 French Jean Beraud Galleries Berauds father (also called Jean) was a sculptor and was likely working on the site of St. Isaacs Cathedral at the time of his sons birth. Berauds mother was one Genevieve Eugenie Jacquin; following the death of Beraudes father the family moved to Paris. B??raud was in the process of being educated as a lawyer until the occupation of Paris during the Franco-Prussian war in 1870. Beraud became a student of Leon Bonnat, and exhibited his paintings at the Salon for the first time in 1872, however he only gained recognition in 1876, with his On the Way Back from the Funeral. He exhibited with the Society of French Watercolorists at the 1889 Worldes Fair in Paris. He painted many scenes of Parisian daily life during the Belle epoque, in a style that stands somewhere between the academic art of the Salon and that of the Impressionists. He received the Legion d honneur in 1894. Berauds paintings often included truth based humour and mockery of late 19th century Parisian life. Along with frequent appearances of biblical characters in then contemporary situations. Paintings such as Mary Magdalene in the House of the Pharisees aroused controversy when exhibited because of these themes. Towards the end of the 19th century Beraud dedicated less time to his own painting, but worked in numerous exhibition committees including the Salon de la Societe Nationale. Beraud never married and has no children, he is buried in Montparnasse Cemetery beside his mother.

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